Kommersant, St. Petersburg, September 24th 2008
‘The sophisticated drive of Bosgraaf’s and Elias’ playing sounded within the walls of the
Chapel of the Knights of Malta reminiscent of a medieval discoteque’
‘after the first solo numbers by Izhar Elias it became evident, that today’s gurus of early
string instruments do not have to worry about the future of baroque guitar.’
Dmitry Renansky